- Linking ‘thought’ and ‘matter’, Raju Sutar’s Biennale collateral deploys life-size innovations
- In Madhvi Parekh’s biennale works, tradition and modernity intersect
- Priya Ravish Mehra’s biennale works put spotlight on traditional darning
- How to judge an artwork? Swiss artist Thomas Hirschhorn has some cues
- South African Zanele Muholi essays what it means to be black, lesbian and a woman
- Mrinalini Mukherjee: Forms of femininity, nature and divinity
- Combining sound, animation and text, this Kochi Biennale presentation focuses on human and non-human interactions
- Jitish Kallat’s Doomsday installation mirrors prophesies of man-made catastrophe
- With an eye on gender inequality, Polish artist Goshka Macuga re-imagines Marx’s London tomb in Kerala
- Through ‘batata’, Anant Joshi’s biennale collateral offers satirical take on the world
Featured image courtesy Kochi Biennale Foundation: Mrinalini Mukherjee’s bronze sculpture at Ernakuluma’s Durbar Hall.
Ankush Arora 